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A Night In Tunisia - Charlie Parker - The Discovery Of Jazz (CD)

8 thoughts on “ A Night In Tunisia - Charlie Parker - The Discovery Of Jazz (CD)

  1. Jul 31,  · IT'S an unlikely story, but the most stunning jazz discovery in a decade -- the Rosetta Stone of bebop -- was unearthed at an Elks Lodge in Chelmsford, Mass. The trove consisted of seven inch.
  2. Jazz › Bebop Share. Listen Now Go Unlimited Start your day free trial Buy a CD or Vinyl record and get 90 days free Amazon Music Unlimited A Night in Tunisia by Charlie Parker & Charlie Parker Septet. Listen Now Buy: £ Ornithology.4/5(3).
  3. 78_a-night-in-tunisia_charlie-parker-septet-charlie-parker-lucky-thompson-miles-davis_gbiaa Location USA Run time Scanner Internet Archive Python library Scanningcenter George Blood, L.P. Size Source 78 User_cleaned Ben Center User_metadataentered Sean Clark User_transferred Sean Clark.
  4. dawynsternfirenalmehuginn.xyzinfo: The premier site for the history and analysis of the standards jazz musicians play the most.
  5. Charlie Parker ‎– The Complete Charlie Parker Vol. 8 "A Night In Tunisia" Newly Discovered Sides By The Immortal Charlie Parker ‎ (CD, Album, Mono, RE, RM, Car) Savoy Jazz: CV (COCY) US: CY Charlie Parker: Newly Discovered Sides By The Immortal Charlie Parker /5(3).
  6. Charlie took part in the first bebop recording session in With Gillespie and Miles Davis, he recorded songs like "Billie's Bounce" and "Koko" for Savoy Records. Not long afterward, he recorded such classic songs as "A Night in Tunisia" and "Yardbird Suite" for another small label, Dial Records.
  7. All roads lead back to Charlie Parker, and if ever a musician's recorded output is worth collecting in its entirety, it is dawynsternfirenalmehuginn.xyzinfo Louis Armstrong 's corpus of work is comparably important. Much of Parker's output has been made available over various box sets, of which the three most comprehensive are the 8-CD The Complete Savoy And Dial Studio Recordings (Savoy, ); the CD.
  8. The 89 tracks recorded during his Dial period (February 5, through December 17, ) have appeared in many editions, most significantly on British Spotlite LPs during the '70s, and then in a marvelous Spotlite four-CD set in Jazz Classics brought out their own version of the anthology in , and Stash followed suit in , as did.

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